Errol Morris, in conversation with Werner Herzog, talking (at first) about a serial killer:
"That's the way Werner described him at the time. An elephant with the soul of Mozart. I'm not sure that most of the prison authorities would have described him in the same way, but at the time I found Werner's description very interesting. I thought for a long time about it. It made it situational, as if God in his infinite perversity had somehow mismatched Kemper's various attributes in order to produce some kind of nightmare, some kind of tragedy. I remember thinking, Yeah, if Othello had been in Hamlet's place, and vice versa, there would be no tragedy."
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